There’s a lot of mystique, anxiety, snake oil, and misdirection with audio modifications. I’ve purchased a few modified units over the years, and had some gear modified (most of which I’ve now sold) by the very reputable companies that do this work, and I have to say, I’m always a bit irked by the rather euphemistic language used to proclaim proprietary knowledge about methods, ‘special’ techniques, secret knowledge, and so on. None of this stuff is really so secret, just trawl DIY Audio and gearslutz for a few minutes (okay, more than a few minutes––euphemisms and snake oil are big over there too). Big companies (like RME, M-Audio, Presonus, etc.) cut corners so they can stay competitive in an overwhelmingly pro-sumer dominated market, and the subtle differences which make one interface sound better than another mostly go unnoticed by the average bedroom singer-songwriter, or the FOH engineer who wants to be certain something, anything comes out the PA system when the music starts. These companies spend their money on ergonomics and driver/software development, and shave off costs on components so they can sell this stuff at a reasonable price point, make a profit, and invest in new lines of products which suit the mode-du-jour. It’s sad and wasteful, but pure capitalistic euphoria. And for the most part, all this stuff is pretty good and decently designed––the EE knowledge base is enormous, as is the industry, and very smart people are designing this equipment. So if someone says audio modification will do nothing more than simply void your warrantee, they are 95% correct, considering the taste of the marketplace, hence the mystique, anxiety, snake oil, and misdirection to convince you to dish out a few hundred more bucks for a major audio modification. Plus, it’s pretty hard to convince someone to send their $2000 piece of gear to a stranger to have its build quality compromised for some vague promise of ‘better sound’ which no end-user listener with crappy earbuds and a smartphone DAC streaming sub-MP3 quality audio will even hear, let alone appreciate.
But I digress, since I was about to demonstrate how I went about willfully compromising the build quality of a perfectly functional RME UFX for ‘better sound’. I got this used on Ebay relatively cheap with a misbehaving PSU. Here’s a before photo, having joyfully broken the warranty void seal:
Including my iPad notes on cap values, proposed modifications, etc:
I was doing some sort of color-coding scheme which I later gave up, but couldn’t revert the image. You’ll notice there are capacitors between the output/input of the DAC/ADC chips and their buffer stages, and that’s because the PCM4104 and CS5536 operate with a +2.5V bias. Can’t really eliminate caps altogether, unfortunately, since that’s what I would rather do…
So now for the modifications. I had a ton of 100uF 63V Panasonic FR on hand. Yes, that is too big for inter-stage coupling, and barely fits, plus I bypassed them with WIMA MKP 0.1uF caps like so:
But it all fits… barely. I would use smaller voltage values if I did this again (which I won’t), but it’s what I had on hand.
Did I have any problems? Yes, a couple. First, phantom power to the mic preamps decided to stop working one day. Turned out I had weakened a trace on the digital board when putting in the main 48V decoupling capacitor, it eventually succumbed to my sloppiness, but was just a matter of bridging with some lead clippings. Also, there was a lot of low-frequency noise in the main ADC. Turned out I hadn’t properly soldered one of the leads of one decoupling cap to the SMD pad. Decoupling caps really do matter, because there were some WEIRD low-frequency peaks causing interference across the entire frequency bandwidth. But otherwise it’s been great! I mentioned Reverb/Echo aren’t working. This is indeed a hardware problem, was probably already an issue when I got the unit, but I never use that stuff so I didn’t think to check before diving in. As I said, replacing RAM didn’t change anything, probably an issue with solder balls under the DSP chip, either needs a rework or replacement. Replacing a BGA-type DSP chip, at $26/ea and probably requiring a proprietary firmware flash, is a bit beyond me.
How does it sound? It doesn’t. I mean, it doesn’t sound like anything, it’s extremely transparent, almost to a fault. Where there is a slight graininess in the RME ‘sound’ (which is admittedly already very much a ‘non-sound’), this is very clear and smooth, I hardly notice it. I’ve been using it for mixing, and everything sounds beautiful, clear, spacious, everything mixes well, good separation, without that in-the-box pileup I sometimes notice. I guess that’s the Sisyphean pay-off here––you do all this work to remove any semblance of personality from your gear, besides that of the performers you’re tracking, only to sit back to admire the complete and utter quiet nothingness of your labor.
So do I recommend this as a DIY mod? Let me lock arms (in spirit) with Matthias Carstens by proclaiming, nope! Not at all. I’m not going to provide a parts list or else it will seem like I’m endorsing this project (well, if ye wish, ye shall have a link to a Mouser project for ye’r reference). It was a pain in the ass. It sounds great, but I’m never doing this again. I mean, I probably will, but as a figure of speech I’m ‘never doing this again’. This is why you pay someone at BLA $750 to do this. Parts cost me $200ish, including some stock I already had, but this took me months of occasional labor. Again, this is why you pay someone––not for secrets (there aren’t any), not for snake oil (this is literally for lower noise floors and distortion, better current delivery to analog circuits and lower current demand from said circuits… it’s all measurable), not for a ‘better’ sound, but for a ‘no sound’ and a trust that if they broke something, they’ll fix it for you. Remember that mods like this, as you can CLEARLY see, and as evidenced by my dying 48V connections and weird failed decoupling noise, delight in opening the door for compromises to build quality––this is why this particular warranty is now void (it already was, but whatever). I took every precaution––I hot-glued parts together and reworked every joint with flux, going through with a magnifying glass to check for shorts or little lost solder beads that might eventually become a short, yet still things happen. If you want to take something on the road, leave it stock, or else bring: a soldering iron, solder, flux, a screw-driver, a magnifying glass, and a bucket for all the vomit you’ll discharge when something weird happens 10 minutes before you need this thing to be bulletproof.
But if you want a reference converter that’ll live in a studio, go ahead and mod the shit out of it. This thing is awesome. I’m sure it’ll serve me for years to come.
Until I have to repair something in one of the mic preamps, in which case I’m *******.
I’ll make some comparison mixes with a stock 802 (technically an upgrade to the UFX) sometime this summer, for those who are curious.